When Saturday Evening Dwell introduced that Timothée Chalamet could be internet hosting on November 11, it seemed like an act of optimism. Up till then, the present had dodged the Display Actors Guild–strike guidelines in opposition to promotion this season by bringing on both hosts with nothing to promote (the alum Pete Davidson) or artists whose work didn’t fall below the contract in query (the musician Dangerous Bunny and the comic Nate Bargatze).
However Chalamet was completely different. If the strike had gone on, Chalamet would’ve appeared with a chocolate-making proverbial elephant hanging out within the room. In December he has an enormous studio film popping out, the Charlie and the Chocolate Manufacturing unit prequel musical, Wonka, which is strictly the type of movie actors hit up SNL to shill.
Final week, nonetheless, the actors reached a cope with the Alliance of Movement Image and Tv Producers and the strike formally ended on Thursday. So when Chalamet took the stage final night time for his monologue, it was a celebration that doubled as a return to enterprise as standard. He wasted no time, reminding the viewers not solely that they will purchase tickets for Wonka, which is out December 15, but in addition that he can sing and twirl properly sufficient to play the famed character from Roald Dahl’s e book.
“Now the strike is over,” he started, because the twinkly sounds of the Wonka-theme “Pure Creativeness” kicked in. “It’s like we’re all returning to this magical world the place actors can as soon as once more speak about their initiatives.” As he sang, he amended the lyrics: “Include me, and also you’ll be in a world of shameless self-promotion.” He cracked jokes in regards to the union’s battle for protections in opposition to synthetic intelligence. “You already know, after spending 118 days fascinated by AI, it’s so refreshing to be right here amongst actual human beings,” he stated, making a lady within the viewers giggle as he took a seat subsequent to her and commented on how she smelled “nice.”
For hosts on SNL, “shameless self-promotion” is often the secret. An actor takes the gig to coincide with a film premiere or an awards run. Certain, they get to indicate off their comedian chops, however there’s a goal behind it—a goal that had been largely lacking from the primary three episodes of the present season. To be clear, there was one thing nearly quaint and nice a few run of hosts who had been form of simply … there to be there (although Dangerous Bunny did have a brand new album out). Final night time was a return to normalcy for SNL, and a recreation of catch-up. Chalamet needed to each cheer on his fellow union members and launch what was primarily a advertising and marketing marketing campaign that was slightly delayed.
The Wonka-themed “old-timey stuff,” as outlined by the forged member Marcello Hernandez, was shortly allotted, and Chalamet continued the night time signaling that he could be a youthful, hipper Willy Wonka than Gene Wilder earlier than him. With Hernandez, he launched right into a livid rap about having a “child face” that featured the refrain, “I’ve bought a child face, however my hips don’t lie / say I’m a foul child, bitch, I’m a foul man.”
Music was a theme of the night time—however not precisely the music you’d anticipate from Willy Wonka. It was clear from the shift throughout the monologue that Chalamet is extra snug rapping than crooning, even when the present did write him a brand new equine ode for a sketch devoted to a dystopian “Big Horse,” a follow-up to his “Tiny Horse” ballad from 2020.
Instantly, Chalamet reprised his standard character from his earlier look on SNL, the Gen Z rap star named $mokecheddathaassgetta, a twerp with pink hair and no sense of historical past. The character confirmed up on a sketch titled “Museum of Hip-Hop Panel,” the place the efficiency of his tune “Cling Cling Cling” bought him spanked by Kenan Thompson taking part in Cornel West. Chalamet, whose very personal high-school rap about statistics has gone viral, is relaxed taking part in the function of insolent teen, capturing the bratty aesthetics of a clueless TikToker who thinks he can spit bars.
Afterward, Chalamet swayed his hips in one other sketch that outlined him as a youth whisperer. He portrayed the queer pop star Troye Sivan as a “sleep demon” who contaminated the mind of a straight girl performed by Sarah Sherman. He acquired squeals from the gang as he confirmed off his “tiny little crimson underwear.” It was a bit which may have been laborious to elucidate to anybody who wasn’t accustomed to Sivan’s sultry movies, however it nonetheless supplied an image of Chalamet as somebody right down to strive fashionable “choreo.”
Now that Chalamet truly can promote Wonka, he appears to pay attention to the problem he’s going to face in that function. He’s in an enormous splashy film aimed toward kids, primarily based on a property that feels staid and overdone. He’s lastly free to speak about it, however he has to additionally reassure his fanbase: Don’t fear. He’s nonetheless cool.
